Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Sandro Botticelli
Adoratio of the Magi

ID: 26818

Sandro Botticelli Adoratio of the Magi
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Sandro Botticelli Adoratio of the Magi


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Sandro Botticelli

Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | La Primavera (mk39) | Filippo Lippi,Madonna with Child and Angels or Uffizi Madonna | Three Miracles of St Zanobius:driving the demon out of two youths,reviving a dead child,restoring sight to a blind man | Writing characters of St. Sting | Portrait of Michele Marullo |
Related Artists:
George Bernard O Neill
(1828-1917). Irish genre painter
Francis Sartorius
Scottish , 1734-1804
Adam Elsheimer
1578-1610 German Adam Elsheimer Locations German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow Derer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt. Most were produced in Rome after 1600: the limits of this oeuvre and its chronology are extremely hard to establish.






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